布莱恩·德·帕尔玛用极其精细的剪辑，把一部家庭喜剧拍成了惊悚片，那种抽丝剥茧的悬疑感在轻松搞笑的表象下张力十足。如果你最近压力大，想找点轻快又荒诞的爆米花电影看，这部绝对没问题。影片虽有着经典的蒙太奇式剪辑和惊悚般的紧张节奏，但实则温情脉脉。如果你平时喜欢节奏紧凑、不按常理出牌，或者想看安妮·班克罗夫特演技大爆发，这部片子绝对不能错过。安妮·伯根与凯文·科斯特纳的对手戏火花四溅，从最初的针锋相对到最后的情根深种，演技令人信服。影片完美结合了他擅长的节奏快剪和“后窗式”的偷窥视角，叙事结构紧凑得令人咋舌。
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment相关搜索：
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